DRAFT: This module has unpublished changes.
DRAFT: This module has unpublished changes.

DRAFT: This module has unpublished changes.

From the New Maine Times

"Jessica Petrus was stellar in Bach’s “Jauchzet Gott in allen Landen!”, the first song of Cantata 51."

http://www.newmainetimes.org/articles/2013/11/26/review-oratorio-chorale-musical-fireworks/ 

DRAFT: This module has unpublished changes.

From Letter V: 

"Three familiar Purcell songs, “Fairest Isle” (from “King Arthur”), “Music for a While” and “If Music Be the Food of Love,” and three by Dowland, “By a Fountain,” “Time Stands Still” and “Shall I Sue,” showcased soprano Jessica Petrus and tenor Owen McIntosh. Both proved to be estimable early music stylists, Petrus with an achingly lovely, low-vibrato “white” tone that especially suited the more yearning and lovelorn Dowland numbers, McIntosh with a more assertive, theatrical style that paid special dividends in the Shakespeare setting."

http://letterv.blogspot.com/2014/04/review-chamber-music-society.html

 

DRAFT: This module has unpublished changes.

 

From The Boston Classical Review

"The first, “Denn das Gesetz,” beautifully performed by Tengblad, Thea Lobo, and Jessica Petrus, was the standout and spotlighted the charm of Bach’s melodies." 

http://bostonclassicalreview.com/2014/03/handel-and-haydn-society-points-up-musical-contrasts-with-bach-and-byrd/

DRAFT: This module has unpublished changes.

 

From Seen and Heard International 
"Jessica Petrus as Gabriel truly had an angelic voice..."
DRAFT: This module has unpublished changes.

 

From Opera News 
"...the fine lyric soprano Jessica Petrus's varied caresses of the word "Liebe" in her sparkling traversal of 'Auf starkem Fittiche'..."-
DRAFT: This module has unpublished changes.

 

From The New York Times
"All three angels — John Taylor Ward, bass, as Raphael; Steven Soph, tenor, as Uriel; and Jessica Petrus, soprano, as Gabriel — projected a velvety suaveness that seemed perfect for these otherworldly roles."--Allan Kozinn
DRAFT: This module has unpublished changes.

 

From The Boston Classical Review
"In the concert’s first half, the ensemble split into smaller choirs of four and five singers each to alternate works by John Sheppard, William Byrd and the self-taught American composer William Billings, giving sopranos Sonja Tengblad and Jessica Petrus and altos Clare McNamara and Stephanie Kacoyanis the chance to shine in more intimate settings." --Aaron Keebaugh
DRAFT: This module has unpublished changes.
From The San Diego Story
"Let me start with the more astonishing singers...Jessica Petrus’ brilliant, agile soprano brought apt elation to her lively arias, and her understated cadenzas were both exciting and tasteful." --Ken Herman
DRAFT: This module has unpublished changes.
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